What if your favourite packet of Maggi isn’t just comfort food, but a mirror of global capitalism, cultural loss, and nostalgia? The writer unpacks how a Swiss invention became a South-east Asian staple; redefining taste, memory, and the meaning of home in just two minutes.
Indonesia, interrupted; nothing happened in Bukit Gombak; our contortions to avoid recognition of Palestine worthy of Olympic gold; the quandaries of long-term planning in an ageing society; Lawrence, the mellow; closure of the storied Cathay cineplexes; and more.
In the 1970s, as female flight attendants in the West were fighting gender discrimination, Singapore Airlines and Thai Airways were building brands around their sexualised female icons. Are we willing to accept sexism when it subsidises “the nation”?
All in favour of Budget said ‘aye’, Singaporean couples prefer to stop at one, the spread of misinformation about Singapore in China, drag queen Kira Moon allegedly assaulted after night out, ‘no questions asked’ tickets to Checkpoint Theatre’s shows, Shiok Meats and Umami Bioworks merge, and more.
Dear reader, * Jom’s essay of the week: “Wild Rice’s ‘Hotel’: how do we host our histories?” by Corrie Tan, our arts editor, does what great criticism should—interrogate a piece of work to reveal deeper truths about its essence, thereby creating a space where artists, critics, theatre-goers, and...
Dear reader, * Jom’s essay of the week: “Wild Rice’s ‘Hotel’: how do we host our histories?” by Corrie Tan, our arts editor, does what great criticism should—interrogate a piece of work to reveal deeper truths about its essence, thereby creating a space where artists, critics, theatre-goers, and...
Dear reader, * Jom’s essay of the week: “Wild Rice’s ‘Hotel’: how do we host our histories?” by Corrie Tan, our arts editor, does what great criticism should—interrogate a piece of work to reveal deeper truths about its essence, thereby creating a space where artists, critics, theatre-goers, and...
A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
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