Three very different maternal figures took the stage in the M1 Singapore Fringe Festival’s Singaporean offerings: an overprotective mother, a mother in the clutches of dementia, a motherland consumed by conflict. How might we confront these difficult relationships? Our critic tries to find out.

A conservative kampung, a racy new lingerie store, a whole host of irresistible characters—our reviewer Dan Koh enters the charming world of “La Luna”, director M Raihan Halim’s contemporary evocation of the Golden Age of Malayan cinema.

A conservative kampung, a racy new lingerie store, a whole host of irresistible characters—our reviewer Dan Koh enters the charming world of “La Luna”, director M Raihan Halim’s contemporary evocation of the Golden Age of Malayan cinema.

A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?

A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?