
A conservative kampung, a racy new lingerie store, a whole host of irresistible characters—our reviewer Dan Koh enters the charming world of “La Luna”, director M Raihan Halim’s contemporary evocation of the Golden Age of Malayan cinema.
A conservative kampung, a racy new lingerie store, a whole host of irresistible characters—our reviewer Dan Koh enters the charming world of “La Luna”, director M Raihan Halim’s contemporary evocation of the Golden Age of Malayan cinema.
A conservative kampung, a racy new lingerie store, a whole host of irresistible characters—our reviewer Dan Koh enters the charming world of “La Luna”, director M Raihan Halim’s contemporary evocation of the Golden Age of Malayan cinema.
A Singaporean living in Australia explores its complex indigenous history on a trip to Tasmania, and discovers the power of truth-telling. The journey helps her reflect on Singapore’s relationship with its own “first peoples”.
A Singaporean living in Australia explores its complex indigenous history on a trip to Tasmania, and discovers the power of truth-telling. The journey helps her reflect on Singapore’s relationship with its own “first peoples”.
A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
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