We go roadtripping with Sim Jiaying as she guides us through a meticulous reading of director Anthony Chen’s paean to disaffected Chinese youth, “The Breaking Ice”. The film becomes a point of embarkation for a broader discussion of the road movie genre—as reimagined by Singaporean filmmakers.
We go roadtripping with Sim Jiaying as she guides us through a meticulous reading of director Anthony Chen’s paean to disaffected Chinese youth, “The Breaking Ice”. The film becomes a point of embarkation for a broader discussion of the road movie genre—as reimagined by Singaporean filmmakers.
We go roadtripping with Sim Jiaying as she guides us through a meticulous reading of director Anthony Chen’s paean to disaffected Chinese youth, “The Breaking Ice”. The film becomes a point of embarkation for a broader discussion of the road movie genre—as reimagined by Singaporean filmmakers.
Through the process of making onde-onde, Berlin-based writer Law Zi-Ting meditates on what it means to embrace ambiguity and unpredictability in a world that operates on data and strict binaries. “Steam sweet potato until tender.”
Through the process of making onde-onde, Berlin-based writer Law Zi-Ting meditates on what it means to embrace ambiguity and unpredictability in a world that operates on data and strict binaries. “Steam sweet potato until tender.”
Through the process of making onde-onde, Berlin-based writer Law Zi-Ting meditates on what it means to embrace ambiguity and unpredictability in a world that operates on data and strict binaries. “Steam sweet potato until tender.”
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